10/15/2013

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Securities Act the endorsement of the document to the emisora entity constitutes proof of having received the funds indicated in the title, notwithstanding that the receipt is issued separately (Inc. c). Case of the certificate in a foreign currency, the amount must be expressed in other than the national currency, and payment of the title is made in that currency, not remain applicable rules on the payment of the title in the national currency at the exchange rate prevailing at the date of expiration, or to the payment, according to the rules of the Securities Act securities. in the case of discrepancy in the amount, must always prevail the lesser amount, as stated in article 5 of the law of securities values. The omission in the indication of the reference currency perjudica the title. given the formal nature of it, we dare not say that because this title makes reference to a minimum amount of allowances, equal to the currency of the US dollar, we should presume that the discrepancy be resolved by reference to such foreign currency (Inc. d). Expiration date can not be set to one period longer than the year (Inc. e), excess in the form of the timetable hurts the title and removes the Exchange merit to it. In terms of the place of payment (inc. f), this is not essential, its omission gives rise to the application of article 221. In the case that among the conditions of the issuance is considered an early rescue, payment of the title, before the expiration senalado, through mechanisms as the draw required to be matter of specification (Inc. j). It is a prerequisite in the issuance of the title signature of the representative of the entity financial (Inc. h), and must in this case included the name of the representatives...
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Argentine Art As citizens and cultural workers, to pay tribute through art is a responsibility that comes with an obligation, therefore, draws us into this Bicentennial, since a nation is enhanced by the commitment of its citizens. "Buenos Aires Arte Argentino del Siglo XX" is an example involving 14 distinguished artists, among others, have contributed their art and their prestige to our cultural heritage. Alfredo Bertani, eminent painter of Bajo Belgrano, a disciple of Repetto and Cleto Ciocchini; Claudio Gorrorrategui, awards and National Hall Malharro Martin, Osvaldo Imperiale, a follower of our artistic Quinquela teacher and frequent visitor of the National Hall, John Orihuel, celebrated painter hyper disciple of Rusinol; Indalecio Pereyra, a disciple of Malharro and Collivadino, Sivori National Exhibition Award; Dalmia Imperiale, a disciple of Quinquela, which perpetuated the unmistakable style created by his master, giving his personality, Claudio Scheffer, Benito Chamber Award Quinquela Martin, Virgil Vallini, painter, award-winning intimate, Alberto Gini Thomas, a contemporary painter and Joseph Martino, Italian painter Argentine citizen, founder of the Association Gente de Arte de Avellaneda, show us different styles and techniques from the inspiration of the unmistakable Riachuelo , rather than symbolic, since there was held the first foundation of Buenos Aires by Pedro de Mendoza in the ano1536. Juan Carlos Huergo, painter, draftsman, lithographer and illustrator and Vicente Vento, a great intimate disciple of Lazzari and creditors of several awards, seduce us with their views of the city. Required and deserved the presence of some of the great masters of painting Argentina, Benito Martin where one of his famous etchings, reflecting their preference for the workers of La Boca.

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